If you wondered what happened to the Melbourne International Arts Festival or, indeed, White Night, then look no further than the Rising — Melbourne’s new premier festival of contemporary art and music.
Some of White Night’s big-picture, pixel-mapping DNA has been carried over to Rising with a number of incredible immersive projection and music installations.
Three in particular, Euphoria, Anthem and Shadow Spirit, encapsulate why large-scale projection is impossible to beat in certain installations such as these.
Melbourne events business, CVP Events, Film & Television supplied and installed the projection, screens and media servers for the three features. Some 56 high-brightness Panasonic projectors from CVP’s inventory were used for the event.
CVP Managing Director, Jon Willis, describes the three installs for us below.
"Panasonic and CVP have been incredible in not just supplying the gear but also understanding what’s required and helping us to respond to artists and what their needs are to make a work happen. The ultimate effect, from an audience perspective, is they’re not thinking about where the video begins and ends or where the projectors are sitting, because they’re in it. That is the dream result from my perspective, and I hope Panasonic’s too."
Artist: Julian Rosefeldt
Jon Willis: “Euphoria, is a quite extraordinary work that’s only ever been staged in three other locations in the world. It’s a truly immersive film experience. A continuous film runs for one hour, 55 minutes with three specific elements: At ground level are choir screens (the Brooklyn Youth Choir shown in life size), where 18 projectors are stitched together with very short throw lenses. Above the choir are five drummers on large screens that surround the audience; and, finally, the 14m-wide major screen displaying the primary film that tells a story of capitalism. All of the media is projected onto specialised high-gain surfaces that provide an exceptionally faithful colour representation – the Panasonic projectors excel in this regard, the fidelity of the colour is really, really terrific. All of the media is locked together with timecode and all stitched together to produce an immersive experience.
“The artist Julian Rosefeldt attended the premiere along with his team and they were incredibly complimentary about this particular setup, indicating it was the smoothest and best result they’d seen thus far. That’s a very pleasing testimonial for Rising, for CVP and for Panasonic projection. CVP has been very proud to play our small part in bringing this significant work to life here in Melbourne.”
"All of the media is projected onto specialised high-gain surfaces that provide an exceptionally faithful colour representation – the Panasonic projectors excel in this regard, the fidelity of the colour is really, really terrific."
Curated by Kimberley Moulton
Jon Willis: “Shadow Spirit is a series of 12 rooms, each an individual work of art by indigenous artists. They’re very disparate, with very disparate technical requirements and lots of technical challenges insofar as where projectors are placed, levels of brightness, and appropriate lenses. We also co-ordinated the automation system for all of lighting, video and sound.”
"We have Aboriginal and Torres Strait Islander artists from across Australia. They have worked across all different mediums and it was a really important part of the development of this show, that we provided artists with the opportunity to expand their practice and move into other spaces and that includes digital art."
Artist: Wu Tsang
Jon Willis: “Anthem is a what you might describe as a deceptively simple work. It’s a large-scale sound and video collaboration between artist Wu Tsang and folk icon Beverly Glenn-Copeland. It relies on its setting inside the cathedral to envelope the audience is magnificent natural reverb. From a visual perspective, two edge-blended Panasonic 20,000-lumen laser projectors point at a huge white drape (18m high by 6m wide). Originally we thought we would need three projectors to pull this off, but the 2 x Panasonic PT-RZ24K projectors proved to be more than sufficient. Anthem is a powerful work made more powerful by the dramatic setting and cavernous acoustics.”
"Across the 3 major works of Euphoria, Anthem, and Shadow Spirit there are 56 projectors so you've got 3 different locations for artworks, all different requirements but all covered by Panasonic and all with 100% reliability. All of them produce fabulous colours and they have the lens range and flexibility we need to produce those results."
Read more insights…
The MZ882 Series sets a new benchmark for visual quality in education and workspaces while placing a strong emphasis on sustainability and cost performance.
The RQ7 Series 1-Chip DLP® projector (7,500lm) offers greater flexibility and a broader selection of projection-mapping solutions for galleries, museums, and Location-Based Entertainment (LBE) attractions.
Panasonic confirms its commitment to flexibility and choice through its range of Intel® SDM compatible Projectors and Flat Panel Displays.
AVoIP-ready or Intel® Smart Display Module (SDM) specification enabled products for Entertainment, Education and Business collaboration.
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